Cookering

On Wednesday, I had the chance to attend a cooking class at The Waring House in Prince Edward County with a friend of mine at her invitation. Much fun was had. I really enjoy cooking, simply, with fresh ingredients. It doesn’t have to be complicated. We made most of our meals with tomatoes as the base, even dessert (!) and everything was so delicious. Definitely going to be sourcing lamb tenders in Ottawa to switch up my usual red meat fetish.

As a matter of coincidence, everyone in the class was from the Ottawa area.  Four ladies on a girls getaway, and a mom and dad taking their son to university in Toronto, and the two of us. The son was going into Film as one of his concentrations, so we struck up a conversation and perhaps I got him to think about how he could be a producer in the film industry…  (wanted to be involved, but hates the hurry up and wait that being on set sometimes involves). My friend and I ran into them again at the pub and again at breakfast the next morning.

We had some good chats over some beer beverages at the British inspired Pub about Iceland and all the adventures this family had there, as we too are gearing up for our own Icelandic escapade. I for one am looking forward to the all fish menus. I love fish, ever since I was a kid and catching speckled trout with my dad. I was never a big fan of cleaning fish back then, but I’m sure it was just because I thought it was groddy (and my dad would do it anyway). Now it likely wouldn’t bother me. As much.

The Inn itself had a charming old British Garden feel as well. Along with a fresh herb garden where we pulled the ingredients for our meal.

The room we shared was a funny throw back to a simpler time as well. The bonus – a private hot tub!  We had a VCR in our room, so I took the opportunity to kick back at the end of the day with the movie Cocktail, mostly for shits and giggles. My god….  Movies from yesteryear drag, don’t they? I think I may have missed the end…  Does Tom Cruise get the girl? 🙂

All in all, if you find yourself down in that part of the world, the cooking class was A-1. The Chef was a laid back and very knowledgeable fellow and had extensive experience to draw upon. A real treat.

 

 

 


Here’s to the crazy ones…

In the screenwriting workshop last week, I told everyone I’d seen Paranoia.   Thankfully for free.  It wasn’t a great movie, in my opinion…  too many overt and obvious things, and even with Harrison Ford playing a decent character.  I did enjoy the future technology it presented and where the creators thought we were heading.  That was fun.

When I was talking about the film, someone said that I was jaded because I saw the flaws in it.  Someone else said they watch movies as an audience member, and then dissect the script as a screenwriter.  I analyze as I watch a film.

Then tonight I saw Jobs.

Jobs didn’t like flaws in the work either.

Yes, he was mostly an asshole who left people behind.

Yes, he demanded perfection to the point of anxiety.

Yes, he lost it all, and got it all back again.

And, like some fan boys with their super hero comic book films, I can now relate.  I have my film that I can fawn over.

I soldered components onto motherboards.

I wrote code in assembler.

I created space invader programs on a BASIC programming computer, that I hooked to my 13″ black and white TV screen, and backed up my programs to a tape cassette recorder, in 1984.

I was that girl.

I kinda fell in love with Steve Jobs.

I’m not totally convinced we are better off these days with our tethered lifestyles, but I can safely say he sold an ideal.  He sold the beautiful dream.

And he made the impossible possible for everyone.

 

 

 


A movie For Every Year of My Life: 1977

So many good movies to choose from…

You can watch my selection for 1977 online in all it’s Lynchian glory. I saw it probably around 1995 for the first time, either at the Bytowne or the Mayfair. It was so messed up. So twisted and insane. I had no idea that movies could be so mental. It was amazing to watch.

I present to you a full version of:

Eraserhead

Release date: March 19, 1977 (A little off my “after my birth date”… but who cares, I’m making up this blog as I go along, including any self imposed rules and my prerogative to change what I want at will…  Oh, the false sense of power the Internet provides…)

Enjoy your dose of classic Lynch.

1976


NXNE Music Industry Panels

Now that I’ve had a few days to reflect upon my near week in Toronto, I have to say, I took a lot of good stuff away from the people I met and the info I took in.  My two favourite panels were: Women in Music and the Future of the Music Industry.

The panel about women in music was hosted by Melissa Auf der Maur.  Her panel was an interesting mix of younger women who she has been paying attention to musically – No Joy from Montreal (with Jasamine White-Gluz and Laura Lloyd) and Alaska B from Yamantaka // Sonic Titan, formerly from Montreal and now in Toronto. And, along with a man who had been doing music reviews in Toronto for longer than not: Ben Rayner.  Their perspective was realistic and refreshing. These women don’t take shit from anyone, they make the music they love, and they aren’t letting anyone dictate the fate of their careers. I went to see No Joy later that same night at The Black Box and they also deliver on sound and musicality. Auf der Maur has opened a music/event hall in upper state New York and will have them perform there later in the fall. Don’t miss them if you have a chance to see them.

The Future of the Music Industry Panel was also really interesting.  The panel included: Alan Cross, Jake Gold, and Richard Thomas.  The moderator was Medina Abdelkader.

A few things that I took away from that panel were:

1) There is a great divide between consumers of music and collectors of music. People still want to own a “thing” – CD – and CD and vinyl sales are still doing okay despite the download and consumer culture where everyone expects artists to give away their work for free.

2) A live show is sex on stage. If you don’t deliver at least that, you aren’t doing your job right.  As a follow up to giving away your work for free, people are willing to pay for the experience of the live show since that’s when they connect with you as a musician and wholeheartedly to music.  It’s the intimacy on stage and that connection that people crave.  Give them what they want, and look like you’re having an awesome time doing it, and you will have fans that will buy into you.

3) Be awesome.  Be your artistic self and don’t write for the audience.  Write for yourself and let the fans find you.  Jake Gold couldn’t stress that enough.

4) It’s all about the song, the song, the song.  Alan Cross knows a thing or two about music, and I don’t disagree.

5) Musicians never really ever made money off of music sales, they make it off of touring and merch and etc.  It’s hard to believe that someone isn’t making money somewhere…  but there you have it.

All in all, two great panels.

I’ll have more on the state of the film and TV industry panels early next week.

Have a great weekend folks.  If you’re in Ottawa – be sure to go see The Matinée at Dragon Boat Festival.  They played NXNE, and have done two shows in Ottawa in the recent past. They are awesome, in every sense of that word.

 


NXNE End point…

Strange…  I thought this came through on Monday…  Guess not, so here’s the update.

See the last post for NXNE Days 1-3; on to…

Day 4 – a lazy morning, then a stroll up Yonge Street to see Old Stock, a sweet little Canadian film at the Carlton Theatre; lunch of bad Japanese food, then YDS for Big Black Delta (loved this band…two drummers and one was a lady!), Teenage Kicks, Millencolin (wow… alls to say there); then off to the Bovine Sex Club to meet up with my crazy friend Kid Rock… (apparently at one point, two people were having non-bovine sex in the women’s bathroom, dunno, didn’t see it…) and then came Dearly Beloved, Diemonds, and last but not least, Monster Voodoo Machine, which rocked it as their original lineup, with one of the guys coming all the way from Regina to play…A treat!

Day 5 – more low key…Checked out Laugh Sabbath, a short comedy film festival, which was fun; then Sunday Night Live at Comedy Bar; then hit one last show at The Garrison, a young band called Iceage, who keep their audience in the dark by playing in the dark…they were good, loud, and an appropriate end to an eventful week.

I’ll probably be writing up more indepth stuff as topics on anything I found interesting.

The highlight for me was attending the panels and once again seeing as much music and films as I could manage. There’s just so much going on, but I tried not to overlap with stuff I knew was coming through Ottawa (The Balconies, for example).

The vast majority of panels were very high quality and fun. Well worth the money of admission.

Great programming, I thought. The free booze Kobo party was pretty decent too. I wouldn’t hesitate to go again.


NXNE Midway Point…

Day 1 – Wednesday: Music at Cherry Cola’s – The Normals, The Standstills.

Day 2 – Thursday: Panels – From Thinking Like A Startup to Being One, Government Money for Projects: Fact or Fiction, Film Interactive, Women in Music: More Than Ever Before (w/ Auf der Maur who is an amazing lady); KOBO Party (with an open bar…) with Brendan Canning (DJ), Red Mass; Music at BLK BOX – Cellphone, Ell V Gore, No Joy.

Day 3: Friday: Panels – Sex Sells: Lessons from the digital underground, Re-imaging Work Reclaiming Your Life, Day Jobs That Don’t Suck, The Future of the Music Industry; Music at Yonge & Dundas Square – The National ; Music at Supermarket – Northcote, Sam Cash & The Romantic Dogs, The Matinee…

And the night is still young…

I managed to sneak in one more show at Cherry Cola’s before I called it a night and strolled home… I went to see The Rabid Whole. What’s interesting about going to see shows at Cherry’s is the diversity of people who show up. The Rabid Whole isn’t what I would call “easy listening”, more like “make-your-brain-vibrate-and-bleed hard listening”. Really great show… and so was sitting beside the woman with the Taylor Swift shirt on.

Fun times.


Taking on Projects and Learning to Say NO

My new evaluation criteria when someone approaches me with a project:

1.  Am I going to gain any experience or pick up a skill that I don’t currently have?

2.  Is it going to further my screenwriting or film industry goals?

2.  Will I have fun?  Is it for a good cause?

3.  Will I lose money or make money?

4.  How involved do I want to be?  What are the expectations?

I’m no longer taking on many projects where I shell out my own money unless I am gaining one helluva a load of experience or it’s gonna make me the money in return, and it has to be “fun”.  See the questions above.  They will be asked.

I am no longer getting left with the shit end of the stick while others go run around and deal with their lives while I suffer and do the work.

I will continue to work on personal and passion projects, but they must be balanced with paid endeavours.

That’s my new thing.

I’m going to say No to just about everything…  Unless it’s really, really appealing.

I think life is about to get way way quiet.